Out to the cinema. Onto the broadcast.

For the distributors, every trailer ships ready for cinema, online, and world sales. For the Filmakademie, every package comes back venue-ready and broadcast-ready in one pass. The pipeline holds both — the year's films, both directions.

Trailers, year-round

• Hundreds of trailers across thirty distributors, since 2012, with The Screeners
• Sound design built on top of the existing edit, never over it
• Trailer dramaturgy in the mix — pacing, breath, weight where the cut earns it
• Dynamic mixes that survive the format — cinema 5.1, online 2.0, web master, world sales master
• Constant quality across hundreds of trailers — the next one sounds like the last one

Tobis · Studiocanal · Majestic · Neue Visionen · NFP · Camino · Constantin · Sony · Universum · Pandora · Salzgeber · Real Fiction · Piffl · LEONINE — and many more.

Deutscher Filmpreis, since 2012

• Audio post for the nominee packages — every film, every year
• Mixed for the venue and the broadcast in one pass
• Voice consistency across the slate — same loudness, same presence, whether the film is a chamber drama or a war epic
• Smartphone-shot interviews from the directors and casts — RX-pipeline cleanup, room-tone matching, venue-ready in the cut
• On-air design from day one — opener, closer, bumper, swooshes, stings, transitions
• Same family on ARD/RBB and on ZDF — the Lola signature carries either channel
• First Steps Award broadcast — same toolkit, smaller stage

Hundreds of trailers. Fourteen Lola nights. One craft, two directions.